Wednesday, November 30, 2016

Final Exam Study Guide

The final exam will cover chapters 8-16 of Women, Art, and Society, and this is how it will be constructed:
20 vocabulary terms (match the term to its definition) worth 1 point each.
40 multiple choice questions worth 1 point each
2 essay questions focusing on conversations and/or lectures we've had in class worth 20 points.

The 20 vocabulary terms will be pulled directly from the "Terms Of The Day" lists I have given you at the beginning of each class period. Study these lists well enough to be able to match each term on the left side of the page with its particular definition on the right side of the page.

The 40 multiple choice questions come from both the class lectures and from the book. No less than 10 of these questions will cover material we never addressed in class; they come directly from the book.  The questions in this section will range from those that test how well you understand the definitions of terms to questions about specific artworks that you have seen, to questions about the cultural, religious, and political environments that contributed to the work.

Let me give you two example questions (yes, these will be on the test just as you see them here):

Sonia Delaunay, a cofounder of the Orphism art movement, was known for her use of strong colors and geometric shapes which she used as decoration for everyday items in works such as ____________________.
     A. Painterly Architectonics.
     B. Untitled Film Still #92.
     C. At the Piano.
     D. Simultaneous Dress.

Artist Jenny Holzer refers to her text pieces such as "If you had behaved nicely..." as ____________________.
     A. "Film stills"
     B. "The Jezebel Archetype"
     C. "Truisms"
     D. None of the above.

The best advice I can give you on how to study for this portion of the exam is to comb through all your notes you've taken in class, remind yourself of all the main concepts you've learned, familiarize yourself with all the "Terms Of The Day," and to make sure you have read the material in the book. Pay special attention to how each artwork serves as an example to illustrate a concept. Don't just depend on what I have told you in class.  About 75% of these questions will come directly from lecture. But you don't want to be thrown off by the questions that are based on the book alone.

The two essay topics focusing on conversations we had in class will require you to write a 2-3 paragraphs in response.  You will be presented with four topics from which you will choose the two you will write about:
  1. Define  The New Woman.  Name a female artist who portrayed her concept of the New Woman in her work.  What choices did she make in her work to communicate this idea?
  2. Explain the difference between The Male Gaze and The Female Gaze.  Name a woman artist who either appropriated the male gaze in her work or used the female gaze in her work.  In what ways did she use the concept and for what purpose? 
  3. Name at least three of the distinguishing characteristics of Postmodern Art, and explain where you have seen those characteristics demonstrated in the work of at lest 2 Postmodern women artists.
  4. Compare and Contrast:  You will be shown slides of two works of art that you have not seen in this class, one by a male artist and one by a female artist.  Both of these images will focus on the representation of women.  For the essay, follow the outline below:
  • Comparison: How are they similar to one another?  What elements do both works of art have in common?  
  • Contrast:  What are the differences between the two works of art?  
  • Analysis:  What do you believe—based on your historical studies this semester—that the differences in these two works of art tell us about the different intentions of each artist?
The best way to study for these essays is to carefully read each of these questions and think about what you might write in response.  Each of them is based on lectures or a group discussion from class, but they are phrased to make you think critically about certain concepts. This is meant to test how well you have been paying attention to the concepts you've been learning in this class. Consult your notes and the book.  Maybe practice what you would write for each question.

If you decide to write about the compare-and-contrast essay topic:  For an example, look at the following images.  You have seen these two works of art in class, but look at them and try to recall the conversation we had about them in class.  Consider what you might write if asked to compare and contrast them:

 Edgar Degas
After the Bath
1895

Suzanne Valadon
Grandmother and Young Girl Stepping into the Bath
c. 1908


Study hard, and good luck. If you have taken good notes, if you have read the chapters, and if you have spent some time really trying to understand the "Terms Of The Day" then this exam shouldn't be difficult for you.

Slide Images for November 30

 Elźbieta Jablońska
Through the Stomach to the Heart
2001

 Elźbieta Jablońska
House Games from the series Supermother 
2002


 SWOON
Street Art
c. 2003-05

 SWOON
Thalassa
2011

 SWOON
Swimming Cities of Serenissima
2009

 Jean Shin
TEXTile
2006


 Lu Qing
Untitled
2000-present

 Jenny Saville
Prop
1992

 Jenny Saville
Reverse
2002-03

 Jenny Saville
Rosetta 2
2005

Jenny Saville
The Mothers
2011

Monday, November 28, 2016

Slide Images for November 28

 Andrea Zittel
A-Z Homestead Unit, 2001, at A-Z West
2003

 Andrea Zittel
A-Z Wagon Station Customized by Jonas Hauptman, 2003, at A-Z West
2003

 Shirana Shahbazi
Photograph from Gofari Nik/Good Words
2002

 Shirana Shahbazi
Wall painting from Gofari Nik/Good Words
2002

 Yu Hong
She – Beautiful Writer Zhao Bo
2004

 Yu Hong
Ladder to Heaven
2008

 Wangechi Mutu
Howl
2006

 Wangechi Mutu
Non je ne regrette rien
2007


 Margaret Kilgallen
“Heroines”
2000

 Margaret Kilgallen
“Heroines”
2001

 Rachel Harrison
Nice Rack
2006

 Rachel Harrison
American Idol
2008

 ORLAN
The Reincarnation of Saint-Orlan
Began 1990

 ORLAN
American Indian Self-Hybridization #9
2005

Tuesday, November 22, 2016

Slide Images for November 23

 Emily Jamir
Ramallah/NewYork
2004-05

 Rineke Dijkstra
Coney Island, N.Y., USA, June 20, 1993
1993

 Rineke Dijkstra
Lesalle Bank, Chicago, 2003
2003

 Rineke Dijkstra
Olivier Series
2000-2003

 Rineke Dijkstra
Olivier, Quartier Vienot, Marseille, France, July 21, 2000
2000-2000

 Rineke Dijkstra
Olivier, The French Foreign Legion, Camp Raffalli, Calvi, Corsica, June 18, 2001
2001

Rineke Dijkstra
Olivier, Quartier Monclar, Djibouti, July 13, 2003
2003


Kimsooja
A Needle Woman
1999-2000

Monday, November 21, 2016

Slide Images for November 21


 Tracey Emin
Everyone I Have Ever Slept With (1963-1995)
1997

 Tracey Emin
The Perfect Place to Grow
2001

Ghada Amer
Red Diaganols
2000

 Ghada Amer
Eight Women in Black and White
2004

 Guerilla Girls
Do women have to be naked to get into the Met. Meseum?
1989, 1995, 2007

 Guerilla Girls
Benvenuti alla Biennale Femminista!
2005

 Marlene Dumas
Feathered Stola
2000

 Marlene Dumas
Alfa
2004

 Marlene Dumas
Dead Girl
2002

 Eija-Liisa Ahtila
Lajha (The Present)
2001

 Lalla Essaydi
Converging Territories #30
2004

 Lalla Essaydi
Converging Territories #22 (a, b, & c)
2004


 Shirin Neshat
Women of Alla
1993-97

Shirin Neshat
The Last Word
2003